Showing posts with label neutral. Show all posts
Showing posts with label neutral. Show all posts

Saturday, January 10, 2015

Fingers in the Cold


It is a happy coincidence that I took a picture of myself holding this bottle of Nails Inc Porchester Square a few months ago in my DKNY Cashmere Pop Top Gloves, because at this point of time I wouldn't be caught dead outside without those tops fully closed. Sometimes, it's hard to stomach the price of cashmere (these gloves are $95), but I've experienced enough winters that I can't deny its efficacy. That and Uniqlo Heattech are my two saving graces this frigid season.

But we were talking about protecting the fingers of those who are untenable toward the cold, so consider this a PSA to get these gloves. It keeps you warm while enabling you to show off your manicure (if you so wish) and use a smart phone with minimal exposure. I'm kind of jealous that it's now on sale at dkny.com.

As for the polish, it's now in a bigger, heavier bottle with the same ol' stuff inside. Porchester Square is a beige mauve shade that would serve as a great nude for most.

Friday, October 26, 2012

Swatched: My Le Métier de Beauté Lip Crème Stash

Once upon a time, I was a blogger with a modest stash of six basic lip cremes. That was the wardrobe – they were all a girl needed to concoct almost any color she might have wanted to wear.

A little over a year later, that stash tripled in size. This, ladies, is why a gloss purchase for me is a rarity.

Incidentally, this is how Messy Wands got its name

Since the beginning of this blog's existence over a year ago, I have consistently proclaimed my love for Le Métier de Beauté Lip Crèmes. While I have enjoyed plenty of other lip formulas, I've never found one that rivaled my love for them. For the uninitiated, the lip crèmes are lipstick/gloss hybrids, so they are heavier than regular glosses and quite pigmented when applied to the lips. The best thing about the lip crèmes is while they can be worn alone, they are also meant for mixing and layering together or with other lip products. I've written about this a few times in the past, with concoctions here and here.

Today's post is purely about updating my swatch gallery of these pretties (taking advantage of the swanky new lighting!) and um, providing eye candy. I just love seeing them all lined up.


The lip crèmes marked with * are limited edition. The only two lip cremes from the permanent collection I don't have are Toffee Creme and Papaya Creme, which I am confident I can get by mixing two of what I already own. For those interested, I think Toffee Creme = Chocolate Creme + Creme Caramel; Papaya Creme = Peche Creme + Creme Caramel + Fraise Creme.

Out of all these, Peche Creme gets the most use (I'm almost done with my tube). If you're pondering a first purchase, I think Peche Creme, Fraise Creme, Purple Haze, and Creme Caramel are good bets. I personally found them the easiest to layer and mix with other colors.

Le Métier de Beauté Lip Crèmes retail for $36 and are available at Bergdorf Goodman and Neiman Marcus, as well as select Saks and Nordstrom locations.

Some products in this post were provided by the company for editorial consideration

Thursday, October 18, 2012

An Evening Face Tutorial


I recently received an invitation to an evening event and was pondering the makeup I would do for it. Warning: I might be abusing my recent fondness for brown neutrals with a second brown-based eye tutorial this week. Granted, it's not the most flattering shade on me, but irrational fancy needs no excuse, I suppose (for those who live through life wondering why some girls look absolutely amazing in "universal" shades of brown and wheat golds when they make our eyes look like muddy swamps, this fantastic post from Ars Aromatica is worth a read).

Eyes

I started with Le Métier de Beauté Tamarack as my eyeshadow base, then placed Burberry Midnight Brown all over the eyelid, blending toward the brow bone. I used Taupe Brown to deepen the outer corner and Porcelain to highlight below the brow and around the inner corner. 

I applied NARS Rue Bonaparte on my waterline to minimize redness and used Burberry Pale Barley to smoke out the bottom lash line. I lined my eyes with Giorgio Armani Smooth Silk Eye Pencil 1, and as usual, a couple coats of Guerlain Noir G Mascara to finish.

Cheeks

Speaking of abuse, are you sick of hearing about Chanel Notorious yet? Because I'm totally still using it everyday. Pictured above is Notorious under the cheekbone, Benefit Dandelion on the apples, and RMS Living Luminizer to highlight.

Lips

Ellis Faas L207 on the lips for a rich, creamy peach.

Nails

On my fingertips, a deep navy creme a la JINsoon Rhapsody. Texturally, Rhapsody was slightly thicker than Auspicious (which was thinner than the standard, which means Rhapsody resembles "regular" polish). I only needed two coats to reach full opacity.

The Complete Look

Products Used:
Face -
RMS Beauty "Un" Cover Up #22
RMS Beauty Living Luminizer
Benefit Dandelion Blush
Chanel Notorious Sculpting Veil for Eyes and Cheeks

Eyes -
Shu Uemura Seal Brown Retractable Eye Brow Pencil (not available in US)
Le Métier de Beauté Dualistic Eye Pencil in Tamarack
Burberry Eyeshadows in Porcelain, Pale Barley, Midnight Brown, and Taupe Brown
NARS Larger Than Life Long-Wear Eyeliner in Rue Bonaparte
Giorgio Armani Waterproof Smooth Silk Eye Pencil #1
Guerlain Noir G Mascara

Lips -
Ellis Faas L207

Nails -
JINsoon Nail Lacquer in Rhapsody


And because friends tell friends when there are savings to be had:
Giorgio Armani Cosmetics – 15 percent off with code EXCLUSIVE at checkout.

Tuesday, May 1, 2012

An Open Letter to Le Métier de Beauté/On the Coast Eye Kit


As you probably know, Le Métier de Beauté recently released a few exclusive kaleidoscopes to celebrate their debut at Saks Fifth Avenue. Out of the three, I purchased the saks.com exclusive On the Coast

You all already know I am a die-hard fan of the company. I've heard three people in the past weekend telling me that I cover Le Métier de Beauté too much on Messy Wands, and I defend my choice of doing so because frankly, I can't help it. The quality of the eye and lip products (and skincare! but we haven't had this conversation) are simply fantastic, and I haven't had anyone contradict me on that front before. And well, if something is working well, why try to fix it?

That said, as a consumer I sometimes get peeved about the abundant exclusives that the company doles out. (If this sentiment triggers comments, I hope everyone will be level-headed and respectful about it. What I hope to facilitate is a discussion, not finger pointing.) It's perfectly understandable to want to celebrate a debut, or a once-a-year event, or anything justified at all, really, but as someone who owns perhaps two-thirds of the kaleidoscopes they've created (this is not factual. I don't actually know how many kaleidoscopes they've made), the exclusives usually make me feel a little sore. I would purchase it thinking it looks amazing, only to get it and find out why I thought so: there are usually a few dupes of existing colors I already own in those new exclusives. If this was a one-time mishap, I wouldn't think much of it. But I've had this happen to me on four different occasions by now. 

I know the logical next step is to be level-headed about exclusives, maybe wait a little for swatches, but it's difficult with these things, knowing how limited in amount they are. I mean, On the Coast was sold out in mere hours after it went online! As a fangirl, I would have hated missing out on Smoldering Embarkment and Antiquité Poupee (to this day I get emails from readers asking if I know of a way to get one), both of which were produced in limited quantities, and the latter was sold out a day after it reached counters. I don't blame the company for the tiny amount. Sometimes I forget that Le Métier de Beauté is an independent company and relatively new to the beauty market. But if budget was really the issue, why make so many exclusives in so many spots? 

I have to bite my own tongue for saying that, because I realize some of my favorites are exclusives curated by Dustin for Bergdorf's (full disclosure: I purchased and fell in love with Smoldering Embarkment even before I met him). Though in my defense, in the past his exclusives are released in conjunction with the year-end holiday season. I also realize that many people won't have my problem encountering dupes, since they don't own something like 18 eye kits and counting. It's just that the company has set the bar at an utmost high regarding quality and creativity, and I just wish it were applied to every single one of its creations. I also understand that the company maintains that it's the interaction between the color that counts, and even if some colors are dupes the layered result might be different. But I'll just put it this way: hypothetically, would you prefer getting three exclusive kaleidoscopes containing some dupes, or just one with never-before-seen shades? 

Clockwise: On the Coast (1st and 2nd shade), Cherry Blossom (1st shade), Splendid Frost (1st shade)

L-R: On the Coast (3rd shade), Devotion (first shade - it looks darker irl), Capitol (3rd shade)

*I don't have an exact dupe for the third shade of On the Coast.

In the end, I know it's a marketing strategy on the company's part, one that I can't fault if I look at it from the business end of things, since it seems to work extremely well. As a consumer, however, I wish for quality over quantity (and by this, I mean less kaleidoscopes that end up looking same-ish and more experimentations with color – the eyeshadows in every kaleidoscope are on par with their usual excellent formula). It pains me that every time the company releases an exclusive collection they receive so much flak and backlash from loving customers because they weren't able to get their hands on the kaleidoscope. Then after all that, I receive the kaleidoscope only to be disappointed with it because I already own the exact same colors. It's the kind of thing that slowly whittles away your love for a brand, and I hope this does not persist with the one company that made me want to start a blog in the first place.


All that said, since I own three out of four of the colors of On the Coast, I decided there is really no reason for me to hold on to it. I was going to return it to saks.com (it is completely unsullied. The only thing I did was take it out of the box and photograph it), but I thought maybe one of you might have wanted it and missed out when it was available. If you're interested in purchasing On the Coast, send me an email at messywands [at] gmail [dot] com and we can work out the details. For swatches, visit Creature of Design's post here.

Saturday, February 25, 2012

Sunday Riley Prismasilk Eye Color in Lady Godiva

Thanks to The Beauty Look Book, I decided to give Sunday Riley a try. So far I'm halfway through a generous sample of the Effortless Breathable Tinted Primer (their bestselling product) and I have to say I'm almost sold. It keeps shine at bay and creates a really smooth canvas for foundation. If the performance keeps up, I just might have to purchase the full-sized product.

But today's post is about their much-raved-about eyeshadow. I have on hand Sunday Riley Lady Godiva, a lightly shimmery sandy sort of color. 


Sunday Riley wins no prizes packaging-wise. The eyeshadow singles are made of a black plastic base and clear plastic cover. While functional, I can't help but feel (especially if your vanity is filled with the likes of Guerlain and Burberry) that they could do so much better on the design. At $26 each we deserve a little more pizzazz with these things. Yes, I know in the end what matters is how well the eyeshadow performs, but I like my heart to skip a beat when I look at my beauty products, you know? 

On the other hand, no one would have qualms about "ruining the design" and wasting a perfectly good eyeshadow. Hmm.


Sunday Riley set up certain expectations when she named her eye shadow formula "Prismasilk," and in this aspect it doesn't disappoint. It is not as buttery soft in texture as Burberry eyeshadows but in application they fare the same. I can't help but think applying these shadows to the eye is more of a "smoothing on" than a brushing on. As for wear, without primer the eye shadow lasts about eight hours before creasing on an oily eyelid. With primer it lasts all day. 



I found Lady Godiva to be an ideal there/not there lid shade, like if you weren't paying close enough attention you would think I just had really pretty lids when in fact, I was actually wearing eyeshadow! It won't fool you girls, but I bet it'll work against my boyfriend. Lady Godiva is such a standalone color, and has been quite the lifesaver on days where I only have precious few minutes to color up my face. It's a great neutral to go with more daring shades on lips and cheeks. Actually, it's a great neutral, period.

Cheeks: Burberry Light Glow in Tangerine Blush No. 06; Lips: Chanel Rouge Coco Mademoiselle

Sunday Riley Prismasilk Eye Color in Lady Godiva retails for $26. The line is exclusively available to Barneys New York.