Showing posts with label beige. Show all posts
Showing posts with label beige. Show all posts

Monday, September 24, 2012

Lipstick Bandits: Nudes


What do we mean when we say nude? Is it the color of your lips, the concealer lip, or somewhere in between? It gets a little confusing when we use this term when everyone has their own definition (rendering it not a very good word since it confounds communication), but I suppose in the beauty blog world we have pictures to make up for that. 

The Bandit Collective didn't define nude for this assignment, so I will be interested to see how my fellow masked villainsfriends see it (links below, as usual). For me, nude is somewhere in between concealer and original lip color, so in my mind there are many shades of nudes. And because I never properly wrote about it (but used it in this post), here's Rouge Dior #314 Beige Angelique.

I screwed up the white balance on my camera so I look much more olive in my pictures. It's an interesting color on me, and I'm surprised I actually like looking so bronzed (after years of wanting to look lighter). The purpose of stating it is just so you know the below is not a product of excessive bronzing. 


Eyes: Chanel Prelude Eyeshadow Quad; Cheeks: LMdB Creme Fresh Tint in Tenne

Beige Angelique is a beige peach shade on me. Going by the tube, I would assume it wouldn't go well with my skin tone, but in real life it works. I do think that as far as nude peach shades go, Burberry Nude Peach looks better on me. 

We are missing a lot of comrades this time around, but please do still give Bloomin' Beauty, Call It Beauty, Makeup Morsels, and Rocaille Writes a visit!

Tuesday, August 7, 2012

Makeup So Good It's Still Making Me Cry: Addiction by Ayako Eyeshadows


Along with the Cheek Sticks, I picked up some Addiction by Ayako eyeshadows thanks to my wonderful friend. Around the Internet, these are touted as some of the best eyeshadows ever, and when the entire world tells me it's that good, I just have to investigate. I had to buy these sight unseen, so I mostly relied on The Driveller Kate's swatches of the entire line to narrow down my picks. Trust me when I say it wasn't easy.

While the eyeshadows came in single pans, I decided to purchase the 6-pan palette for convenience. The palette does not come magnetized, but the eyeshadow pans will have glue on their backs anyway. Depotting is as easy as sticking a paper clip into the hole at the base. No heat necessary.

Addiction eye shadows are divided into four color types: (P) for pearl, (M) for matte, (ME) for metallic, and (S) for sparkle.

Top L-R: Sandbar (P), Flash Back (ME), Fudge (ME)
Bottom L-R: Midnight Oasis (M), Twig (P), Concrete Jungle (P)

L-R: Fudge (ME), Flash Back (ME), Sandbar (P)

L-R: Midnight Oasis (M), Twig (P), Concrete Jungle (P)

A closer look at Concrete Jungle, my favorite of the six I chose. The color is a true dove gray, and I can very safely say I don't own anything remotely close to this in my stash.


Highlighted inner corner and under brows with Sandbar

Worn with THREE Eye Belong Eyeliner (review to come), smoked out with Midnight Oasis


Sandbar under brows blended into crease, Midnight Oasis all over lid and lower lash line

that pesky crease line! Bad primers make me sad

obligatory deer in headlights pose

Cheeks: Chanel Brume d'Or; Lips: Dior Beige Angelique 314

While NARS Outremer dashed my hopes for a vibrant International Klein Blue eye shadow, Midnight Oasis rekindled the flames (of desire? haha). In the pan I suppose it doesn't look as brilliant as Outremer does, and when worn it is a tad darker, but that, ladies, is what I call a blue.

What can I say? Hands down, Addiction features the best eyeshadow formula I've ever tried. Buttery doesn't even begin to describe how it feels when applied to the lids. All the hype is true, and I'll be  contributing to it from now on. Addiction eye shadows are $40 on Ichibankao (original price $27 in Japan).

Tuesday, May 1, 2012

An Open Letter to Le Métier de Beauté/On the Coast Eye Kit


As you probably know, Le Métier de Beauté recently released a few exclusive kaleidoscopes to celebrate their debut at Saks Fifth Avenue. Out of the three, I purchased the saks.com exclusive On the Coast

You all already know I am a die-hard fan of the company. I've heard three people in the past weekend telling me that I cover Le Métier de Beauté too much on Messy Wands, and I defend my choice of doing so because frankly, I can't help it. The quality of the eye and lip products (and skincare! but we haven't had this conversation) are simply fantastic, and I haven't had anyone contradict me on that front before. And well, if something is working well, why try to fix it?

That said, as a consumer I sometimes get peeved about the abundant exclusives that the company doles out. (If this sentiment triggers comments, I hope everyone will be level-headed and respectful about it. What I hope to facilitate is a discussion, not finger pointing.) It's perfectly understandable to want to celebrate a debut, or a once-a-year event, or anything justified at all, really, but as someone who owns perhaps two-thirds of the kaleidoscopes they've created (this is not factual. I don't actually know how many kaleidoscopes they've made), the exclusives usually make me feel a little sore. I would purchase it thinking it looks amazing, only to get it and find out why I thought so: there are usually a few dupes of existing colors I already own in those new exclusives. If this was a one-time mishap, I wouldn't think much of it. But I've had this happen to me on four different occasions by now. 

I know the logical next step is to be level-headed about exclusives, maybe wait a little for swatches, but it's difficult with these things, knowing how limited in amount they are. I mean, On the Coast was sold out in mere hours after it went online! As a fangirl, I would have hated missing out on Smoldering Embarkment and Antiquité Poupee (to this day I get emails from readers asking if I know of a way to get one), both of which were produced in limited quantities, and the latter was sold out a day after it reached counters. I don't blame the company for the tiny amount. Sometimes I forget that Le Métier de Beauté is an independent company and relatively new to the beauty market. But if budget was really the issue, why make so many exclusives in so many spots? 

I have to bite my own tongue for saying that, because I realize some of my favorites are exclusives curated by Dustin for Bergdorf's (full disclosure: I purchased and fell in love with Smoldering Embarkment even before I met him). Though in my defense, in the past his exclusives are released in conjunction with the year-end holiday season. I also realize that many people won't have my problem encountering dupes, since they don't own something like 18 eye kits and counting. It's just that the company has set the bar at an utmost high regarding quality and creativity, and I just wish it were applied to every single one of its creations. I also understand that the company maintains that it's the interaction between the color that counts, and even if some colors are dupes the layered result might be different. But I'll just put it this way: hypothetically, would you prefer getting three exclusive kaleidoscopes containing some dupes, or just one with never-before-seen shades? 

Clockwise: On the Coast (1st and 2nd shade), Cherry Blossom (1st shade), Splendid Frost (1st shade)

L-R: On the Coast (3rd shade), Devotion (first shade - it looks darker irl), Capitol (3rd shade)

*I don't have an exact dupe for the third shade of On the Coast.

In the end, I know it's a marketing strategy on the company's part, one that I can't fault if I look at it from the business end of things, since it seems to work extremely well. As a consumer, however, I wish for quality over quantity (and by this, I mean less kaleidoscopes that end up looking same-ish and more experimentations with color – the eyeshadows in every kaleidoscope are on par with their usual excellent formula). It pains me that every time the company releases an exclusive collection they receive so much flak and backlash from loving customers because they weren't able to get their hands on the kaleidoscope. Then after all that, I receive the kaleidoscope only to be disappointed with it because I already own the exact same colors. It's the kind of thing that slowly whittles away your love for a brand, and I hope this does not persist with the one company that made me want to start a blog in the first place.


All that said, since I own three out of four of the colors of On the Coast, I decided there is really no reason for me to hold on to it. I was going to return it to saks.com (it is completely unsullied. The only thing I did was take it out of the box and photograph it), but I thought maybe one of you might have wanted it and missed out when it was available. If you're interested in purchasing On the Coast, send me an email at messywands [at] gmail [dot] com and we can work out the details. For swatches, visit Creature of Design's post here.

Monday, October 17, 2011

Les Scintillances de Chanel Holiday 2011: Lumière Sculpteé de Chanel and Beige Lamé

Sorry Guerlain, but Chanel wins this round. 




Lumière Sculpteé de Chanel is the centerpiece of the Les Scintillances de Chanel Holiday 2011 Collection. The intricate high relief design aside, Lumière Sculpteé de Chanel is a great white gold highlighter. Those who lamented the lack of pigmentation in Guerlain Parure de Nuit can gleefully swipe their brushes over this prettiness and see a more pronounced effect. At least, in the hand swatch. On the face, you get the soft glow the best of highlighters provide.

L-R: Lumière Sculpteé de Chanel, Beige Lamé


The texture of the palette itself is buttery soft. When I touch it, it's almost like touching marshmallows, but not as squishy, if you know what I mean. I cannot stress how easy it is to pick up pigment from Lumière Sculpteé de Chanel. Just lightly press any brush to its surface and there it is. In the picture above, I applied Joues Contraste Tempting Beige to my cheeks and swiped Lumière Sculpteé de Chanel above it to highlight. I also applied a little of the highlighter to the area below my brow.



I'm also wearing Beige Lamé in the picture, but you wouldn't be able to see it. Beige Lamé is the exact color of my lids with a smattering of pink and blue glitter. I don't know why I like it even when it doesn't show up on me, but I really do. Though in terms of functionality, I guess people who are less yellow will get more use out of it.

The Chanel Holiday 2011 collection features a bevy of other products, including some other eyeshadows, a blush, a loose powder, two Glossimers, two Rouge Allures, one Rouge Allure Laque, one Rouge Allure Extrait de Gloss and a gold liquid liner. I didn't purchase any of the lip products because none of them clutched at me and made me take them home. I thought Triomphal and Famous (the gloss and RA) were splendid reds based on the promo pictures, but they turned out to have a pinkish tint, which I didn't like. RAL Empire made my lips look chapped - a pity, since I'm a huge fan of the RAL formula. I would have loved Brun Rose if it swatched true to pan, but it turned out to be peachy on the skin. Pretty, but not really what I was looking for. 

Lumière Sculpteé de Chanel and Beige Lamé retail for $72 and $28.50 respectively and are now available at Chanel counters, boutiques, and online at chanel.com. Items from this collection may be something you'll want to run out to get. Since it's been around for a week, I can imagine half the counters to be sold out of the highlighter palette already.

Monday, September 26, 2011

The Concession to Donning Leopard: Dior Mitzah 5-Couleurs Palette

For an industry that changes its mind in what seems like split seconds, the leopard print remains to be one of the few stalwarts eternally glorified by the fashionable. From coats to bags to shoes, a dash of black dots on yellow ochre fur (we’re told) adds an instant touch of glamour.

This has always been a spot of bother for me (no pun intended). I'm not sure if I'd like donning fur, and I don't have the funds to purchase one anyway. But I can't deny the elegance of the leopard.

Enter Dior's Mitzah collection, inspired by Christian Dior's muse Mitzah Bricard, a woman known for her love of animal prints. It's a carefully curated collection of two nail polishes (Ebony and Camel), a golden bronze mascara, and two leopard-themed (both in color and presentation) palettes. Out of the two palettes, I decided to make the more functional purchase instead of the more stylized one.




Mitzah offers in its five pans a soft ivory, camel, ochre brown, chocolate brown, and a taupe brown. The quint boasts the smooth texture that Dior 5-couleur palettes are known for. Pigmentation was good but for the taupe brown shade that I felt was harder to pick up compared to the rest.  


What better than a cat-eye to complement this palette?


A few readers have e-mailed me inquiring about how I put on my eye makeup when I have uneven lids. Here's a little peek at what I do (at times). I place more of the darker shade on my "monolid" side in an attempt to fake the appearance of a crease. It looks like bad application when you can see my lids in full, but when my eyes are wide open it does help balance both sides out.


I think Mitzah is a beautiful palette of not-so-basic neutral shades that's worth a look, especially with the fall season rushing towards us. Mitzah will no doubt be an excellent companion to its plethora of red and berry lips. 

Dior Mitzah retails for $60 and is a limited edition palette exclusively available at Sephora locations and sephora.com. 

Tuesday, August 2, 2011

Le Metier de Beaute Lip Cremes in Sweet Creme and Creme Caramel Swatches, Photos, Reviews

From Creme de la Creme, we move on to the other two sheerer (dessert) shades, Sweet Creme and Creme Caramel.

Sweet Creme

Sweet Creme swatched

As you can see from the swatch, Sweet Creme is basically a clear gloss with just the slightest hint of pink in it. Again, something I probably wouldn't pick up based on the swatch alone. Yet, this is the shade Dustin thinks everyone should own. Sweet Creme adds warmth when layered over another lip color.



The next, Creme Caramel, is a crowd pleaser. Like Creme de la Creme, Creme Caramel brightens and softens the color beneath it. The added bonus to this color is, and I quote Dustin, that it "goes with anyone."

Creme Caramel

Creme Caramel swatched

In my opinion, Creme Caramel is the most aptly named lip creme in the lineup. The color, accompanied by the vanilla scent common to LMdB lip cremes, reminds me of creme brulee. Creme Caramel is beige-gold and has a metallic gleam when applied to the lips. In the photo below I applied a thin layer of Creme Caramel and sheered it out on my lips, but you could easily build it up to achieve a foil-like effect.




As mentioned, Le Metier de Beaute Lip Cremes are creamy, lightweight, and faintly sticky. They feature a heavy vanilla scent that initially put me off, but over time I've learned to enjoy it. Lip cremes are as easy to apply as your typical doe foot swipe-and-go gloss. Sweet Creme and Creme Caramel have a decent weartime of about 4-5 hours on my lips. They retail for $36 a pop.